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  Chapter Seven: Fool's Gold Eli opened his hand. The ring sat in his palm under the amber light, simple and clean and patient, the way it had been patient in the display case for the past three weeks while the city moved around it and the snow came and went and two men stood at the window on separate evenings and looked at it and thought about what it meant and arrived, on the same Christmas Eve, at the same shop, at the same moment. He looked at James. He looked at Adam. Then he walked to James and held out his hand and James took the ring from him with both of his and held it the way a man holds something he has been moving toward for a long time without always knowing that is what he was doing. "Merry Christmas, James," Eli said. James looked at the ring in his hands. He did not say anything for a moment. When he looked up his eyes were the same pale gray they had always been, but something in them was different, some quality of tension that had been there all...
Chapter Six: The Jeweler Speaks Eli Saron had not intended to say anything beyond what a judge is required to say. He had intended to listen, which he had done. He had intended to observe, which he had also done. He had intended, at the end of the evening, to make a quiet decision about the ring and deliver it without ceremony and send both men home to whatever was waiting for them there. He had not intended to talk about his wife. But there is a thing that happens sometimes, in rooms where honest things have been said, where the honesty becomes a kind of gravity and pulls more honesty toward it, and Eli had been in this shop for twenty-three years and had felt that gravity many times and had always, until tonight, managed to stay on the correct side of it. He looked at the two men across from him. The young one with the Iraqi blood and the inherited determination and the company balanced on a wire. The old one with the gray eyes and fifty-one years and the bottle he had put down...
  Chapter Five: The Descent and the Return James was quiet for a moment before he began the second half. He picked up his coffee cup, found it empty, set it back down. He looked at the window. The snow was serious now, the kind that accumulates, the kind that changes the sound of the street outside by absorbing it. Halsted was quieter than it had been an hour ago. The city was going home. He turned back and looked at Adam. Then at Eli. Then at his hands. "The medals," he said. "You want to know about the medals." Neither man had asked about them. "I had a box of them," James said. "From the Gulf, from Afghanistan, from Iraq. A box you keep in the closet because you don't know what else to do with it and putting it on the wall feels like something you're not ready to claim." He paused. "I threw the box away in 2011. Not because I was ashamed of it. Because I needed to stop using it as a reason not to look at the rest of my life...
Chapter Four: The Climb There is a version of Adam Zayn's story that is very easy to tell. Iraqi-American kid, first generation, parents who rebuilt themselves from nothing in a country that was not always interested in making that easy. Kid grows up watching his father study at kitchen tables after warehouse shifts, absorbs the lesson, applies it with interest. Goes to university, finds his thing, builds a company, files for an IPO. Classic American story, the kind that gets written up in trade publications with a photograph of the founder standing in front of a whiteboard with his arms crossed, looking like he always knew it would turn out this way. Adam had been written up twice. He had stood in front of the whiteboard. He had crossed his arms. The photographs were not inaccurate. They were just incomplete, the way photographs always are, because a photograph captures the arrangement of a face but not the conversation happening behind it. He told the next part of his story...
Chapter Three: The Weight of Medals James Merritt did not consider himself a storyteller. He said this plainly, before he began, as a kind of disclaimer. He had known men who were good at telling stories about the things they had lived through, men who could shape a war into something with rhythm and meaning, men who knew where to pause and where to press forward and how to leave the listener with the feeling that something had been understood. James was not one of those men. He was going to tell it the way it happened, in the order it happened, and if that was not the most elegant thing then it was at least accurate, and accuracy was something he had learned to value above most other qualities in a person. Adam said that was fine. Eli poured three small cups of coffee from a machine behind the counter and set them on the glass case between them without asking if anyone wanted any. Everyone took one. James wrapped both hands around his cup and began. He was born in 1969 in Rock...
   Chapter Two: The Boy from the Rubble Adam did not begin with himself. He began, the way most honest stories do, with his parents. His father's name was Tariq Zayn. He was born in Mosul in 1987, the third son of a civil engineer and a schoolteacher, and he grew up in a city that had not yet decided what it wanted to become. Mosul in the nineties was a city of contradictions ; ancient minarets beside satellite dishes, men in suits walking past men in dishdashas, children playing football in streets that had potholes so old they had become landmarks. It was not a comfortable city, but it was a city with texture, with memory, with the particular confidence of a place that has been inhabited for thousands of years and expects to be inhabited for thousands more. Then came the first Gulf War, which Tariq was too young to fight in but old enough to remember. Then the sanctions, which were a different kind of war;  slower, quieter, the kind that works through deprivation rather...

Fool's Gold

Chapter One: The Layaway The snow in 2044 still fell the same way it always had. No algorithm had changed that. No innovation had made it faster or slower or anything other than what it was; quiet, indifferent, and beautiful in the particular way that things are beautiful when they have nothing to prove. Adam Zayn stood outside the jewelry shop on Halsted Street at 6:47 in the evening on Christmas Eve and watched the flakes dissolve against the glass of the window display. Inside the case, under a warm amber light that made everything look warmer than the world actually was, sat a ring. A solitaire. Round cut diamond, platinum band, simple and clean and devastatingly expensive in the way that simple and clean things often are. He had been looking at it for three weeks through that same window. He breathed into his scarf and pushed open the door. The bell above the door announced him with a small, tired ring, and the shop received him the way old places receive people; without cere...